I’ve taken shots of quite a few special trains recently, but somehow I still prefer this one, even if it is of just a plain ordinary commuter train. I really love this spot because it allows for a big sweeping composition which I really like. It helps give a nice sense of depth, and strangely also speed. I also really like the warm evening light which this shot was taken in.

The processing here is quite complicated. The first step was to take the original RAW image and tonemap it with Photomatix Pro. Secondly the RAW image was loaded into Aperture and tweaked to correct the exposure a little and to boost the colour a bit. This second version of the image was then exported to Photoshop Elements and the Topaz Adjust filter was applied to produce an alternative tonemapped version. The version from Topaz did a better job on the train and the trees in the background while the version from Photomatix was better for all the rest. This final image was generated by using Layer masks in Pixelmator to blend the two versions of the image into a third version with the best elements from each of the two other versions. This third blended version was then taken back into Aperture, given a few minor tweaks and then sent to the Dodge & Burn plugin in Aperture to do a few minor localised teaks.

A Winter Evening Commute
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/400 sec
  • Focal Length: 26mm
  • Focal Ratio: f/4
  • ISO: 200
  • Camera Mode: Full Manual
  • Processing: see above.

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Due to a few busy weekends in a row I’ve gotten very behind again, so I have a triple post this weekend to get caught up. As usual when I do a multi-week Photo of the Week, I’ve picked a theme that relates the photos to each other. In this case, they were all taken during the abnormally long and harsh cold spell at the start of January this year (you can see all my best shots in a Set on my Flickr stream).

The first shot I’ve chosen is of the College Cemetery in St. Patrick’s College Maynooth (SPCM). This cemetery is almost like a secret garden, hidden away behind some lovely old trees near the back of the grounds. It’s always a wonderfully peaceful place, especially in the snow. Fr. Nicolas Callan is buried here. He was a great scientists who worked in SPCM and is most famous for having invented the induction coil.

The College Cemetery - SPCM
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/60 sec
  • Focal Length: 18mm
  • Focal Ratio: f/8
  • ISO: 200
  • Camera Mode: Aperture Priority
  • Exposure Bias: +0.7ev.

The second shot I’ve chosen was taken on a ground of Carton Estate just outside Maynooth village. I’d been cycling along the Royal Canal where the sun was beaming down and it was just a truly beautiful clear day. Then, the moment I left the canal and entered into Carton estate it was like I’d beamed to another world. There was this thin later of dense mist hovering just above the ground. Above that layer it was still a beautiful day, though clouds were starting to roll in. The layer of mist gave the whole place an ethereal feel. I’d honestly never seen anything like it. To be honest none of my shots did the scene justice, but I still really like this one.

Out of the Mist - Carton Estate
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/60 sec
  • Focal Length: 19mm
  • Focal Ratio: f/8
  • ISO: 200
  • Camera Mode: Aperture Priority
  • Exposure Bias: +1.0ev
  • Processing: This shot was generated by first applying the Topaz Adjust 4 filter to effectively tonemap the image, and then tweaking the result a little in Photoshop Elements 8 to selectively brighten just the snow.

Perhaps unsurprisingly, I’ve also chosen one of my train shots as one of my favorites. This shot was taken as the day was ending and the sun was getting very low in the sky. It shows an Irish Rail InterCity services making it’s way from Dublin to Sligo as it approaches Jackson’s Bridge just beyond Maynooth. From Jackson’s bridge you get a view of both the railway and the Royal Canal which runs next to the track for most of the way between Dublin and Mullingar.

Irish Rail InterCity
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/320 sec
  • Focal Length: 18mm
  • Focal Ratio: f/3.5
  • ISO: 200
  • Camera Mode: Full Manual
  • Processing: This shot was generated by tonemapping the original RAW file with Photomatix Pro, and then tweaking the results a little using Aperture’s Dodge & Burn plugin.

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My last few Photo of the Week picks have been nature macros, so I thought I’d change things up a bit this week and go for some local history. I just love the boathouse in Carton Estate, it’s such a cool little building in such a great setting. I’ve taken many shots of it, but this is one of my very favorites because of the dramatic backdrop nature kindly provided. For a start the trees in the background are at their autumn best, but as well as that the light was great and there sky was very dramatic.

The Boathouse in Autumn
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/125 sec
  • Focal Length: 18mm
  • Focal Ratio: f/11
  • ISO: 200
  • Camera Mode: Aperture Priority
  • Processing: This shot was generated by tonemapping the original RAW file with Photomatix Pro, and then tweaking the results a little using Aperture’s Dodge & Burn plugin.

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Since the butterfly season will be starting up again soon I’ve been having a look back at my butterfly shots from previous years to see what gaps there are in my collection to help me plan my priorities for this year. In the process I also picked a shot for this week’s Photo of the Week, one from last year that I’m immensely fond of.

This shot is of the Peacock Butterfly (Inachis io), the most colorful and spectacular species we have in Ireland. I got quite a few shots of this species throughout the year, and in previous years (including Photo of the Week 32), but I particularly like this one because of where the butterfly chose to land. To get a nice out of focus background you do need there to be a bit of a distance between your subject and the background, and you need the background to be fairly even. In this case the butterfly landed on a very tall and beautiful special of Daisy called Black0eyed Susan. Because the Black-eyed Susans are tall, the leaves of the other plants in the garden were a long way below, hence the lovely soft green bokeh. The lovely yellow flowers themselves also add a lot to the shot, and the red of the butterfly contrasts nicely with both the green and the yellow really making it stand out.

Peacock Butterfly (Inachis io)
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 55-200mm
  • Exposure: 1/320 sec
  • Focal Length: 200mm
  • Focal Ratio: f/8
  • ISO: 400
  • Camera Mode: Aperture Priority
  • Exposure Bias: -0.3ev

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With all the madness of upgrading to SnowLeopard and my failed upgrade to Aperture 3 I’m now one day away from being three weeks behind on my Photos of the Week posts. To catch up I’m going to post a double post today, and a single one tomorrow. As always with multiple posts, I’m going to pick a theme, and this time I’ve chosen macros of Irish wild flower. Both these flowers are small and delicate, so you may miss their subtle beauty unless you take the time to look closely.

The first shot is of one of my very favorite flowers, Herb Robert (Geranium robertianum). It’s a wild variety of Geranium, and there’s lovely detail in it’s small pink flowers. It’s very common in Ireland, but it’s hard to get it with and uncluttered background as it usually grows in crowded hedgerows. I’ve taken many other shots of these little beauties, but I really like the clean bokeh in this one.

Herb Robert (Geranium robertianum)
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 55-200mm
  • Exposure: 1/400 sec
  • Focal Length: 200mm
  • Focal Ratio: f/5.6
  • ISO: 800
  • Camera Mode: Aperture Priority
  • Exposure Bias: -0.3ev

The second shot I’ve chosen is of an absolutely tiny flower I found growing on some waste-ground near Leixlip Louisa Bridge railway station. These little guys are Eyebrights (Euphrasia officinalis agg.), and there are many different varieties in Ireland. Each of the different markings have subtly different coloured markings, and petals that are of slightly different shapes. These little guys are so small and so short that I literally had to lie flat on my stomach with the camera touching the ground to get this shot.

Eyebrights (Euphrasia officinalis agg.)
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 55-200mm
  • Exposure: 1/1600 sec
  • Focal Length: 200mm
  • Focal Ratio: f/5.6
  • ISO: 400
  • Camera Mode: Aperture Priority

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Each December the Railways Preservation Society of Ireland (RPSI) run a series of special excursions called Santa Specials. The trains run from Dublin’s Pearse Station to Maynooth and back, and are usually pulled by Steam Locomotive No.4. For three weekends in December there are up to three trips a day on Saturdays and Sundays, so lots of fantastic opportunities to get some shots of steam in action on Irish rails. This year there was a slight hitch on one of the days though, No.4 broke down on the last run on one of the Saturdays, so a Northern Irish Rail diesel loco had to fill in for the runs on the following Sunday, but by the next Saturday No.4 was back in action and was able to finish out the rest of the runs.

Since I missed posting a photo last week this is a double week, and I’ve chosen my two very favourite shots from last December’s season of Santa Specials. I have to say I really found it hard to pick just two, I’m really happy with quite a few of my shots from the month. If you want to see more than just these two shots I’ve created a set on Flickr with my best shots.

So, on to the first shot, in this case we see No.4 leaving gathering speed as it leaves Maynooth on the return leg back to Dublin Pearse. One thing you’ll note here is that the train appears to be going backwards, or “bunker first”. This is true, except it was designed to run just as well in both directions, so arguably there is no such thing as backwards. It’s this ability to run in either direction that made No.4 such a useful engine during it’s working life, because it could run to stations that didn’t have turntables for turning engines around. In the past all major stations had to have turntables, but very few of those now remain, and Maynooth never even had one because it only became an important station in the 1980s when it became the terminus for the new Western Commuter service out of Dublin.

RPSI No.4 With Santa Special
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/30 sec
  • Focal Length: 18mm
  • Focal Ratio: f/11
  • ISO: 200
  • Camera Mode: Shutter Priority
  • Processing: This shot was generated by tonemapping the original RAW file with Photomatix Pro, and then using layer masks in Pixelmator to selectively blend it with the original to merge the best elements from both versions of the shot into the final image.

The second shot I chose shows No.4 on it’s way out to Maynooth running forwards. In this case the shot was taken in Leixlip just outside Leixlip-Louisa-Bridge station. This was No.4’s second run of the day, and this run had the best weather of any of this season’s runs.

RPSI No.4 With Santa Special
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/800 sec
  • Focal Length: 18mm
  • Focal Ratio: f/3.5
  • ISO: 200
  • Camera Mode: Aperture Priority
  • Exposure Bias: -1.0ev
  • Processing: This shot was generated by tonemapping the original RAW file with Photomatix Pro.

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Since I started playing with the Orton effect around Christmas time I’ve been going back through some of my older shots looking for images that would go well with the effect. Of all the images I played with, this one is my favourite. For some reason the dream-like quality of the Orton Effect compliments the autumnal tones very well. If you’re interested in experimenting with the Orton Effect I posted a tutorial with screen cast a few weeks ago.

An Autumn Dream
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/60 sec
  • Focal Length: 42mm
  • Focal Ratio: f/8
  • ISO: 200
  • Camera Mode: Aperture Priority
  • Exposure Bias: -0.7ev
  • Processing: The Image was first tweaked a little using Aperture’s Dodge & Burn plugin, and then the Orton Effect was applied.

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Since I’ve been very young I’ve been fascinated by these wonderful little flowers (Ivy-leaved Toadflax, or Cymbalaria muralis in Latin). They can grow in the tiniest cracks on walls, are wonderfully intricate yet very small, and are very vibrantly coloured. These flowers now grow wild around Ireland, but they are not native, they were introduced into Gardens and escaped from there into the wild.

Ivy-leaved Toadflax
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 55-200mm
  • Exposure: 1/500 sec
  • Focal Length: 200mm
  • Focal Ratio: f/8
  • ISO: 800
  • Camera Mode: Aperture Priority
  • Exposure Bias: -0.7ev

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I’ve gotten quite behind at processing my shots – so this week I finally finished the last of my Autumn shots for 2009. With them all edited and tagged I could choose my very favourite shot of the season, and here it is! I just love this place, the buildings are amazing, and the water garden inside the square is amazing. I’ve taken many shots in here, and very few of them capture the coolness of the place, but I think this one comes close. I’m also a sucker for reflections and vibrant colours, all the more reasons to pick this as my favourite!

St. Mary's Square in Autumn
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/200 sec
  • Focal Length: 18mm
  • Focal Ratio: f/11
  • ISO: 200
  • Camera Mode: Aperture Priority
  • Exposure Bias: -1.0ev
  • Processing: Single RAW image first tonemapped with Photomatix Pro, then tweaked with the Dodge & Burn plugin in Apple’s Aperture

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One of my favourite places for photographing trains is Jackson’s Bridge, it’s one bridge west of Maynooth along the Dublin to Sligo mainline towards Killcock. Jackson’s bridge actually crosses both the Royal Canal and the railway line, since the two run parallel most of the way between Dublin and Mullingar. When you look East from Jackson’s Bridge towards Maynooth and Dublin you get a great view of the the track, the canal, the towpath, and a row of trees all running parallel next to each other almost as far as the eye can see.

This is normally a very quiet stretch of line with very little traffic on it, but twice a day the level of traffic really picks up. During the day most commuter trains terminate in Maynooth, but during the morning and evening rush some commuter trains now run all the way out to Longford. The number of InterCity services also increases at rush hour so you get a few trains an hour instead of a train every few hours!

I took this shot in mid-October when the trees have their nice autumnal colours, and when the evening rush-hour over-laps with the Golden Hour. I really like how the soft golden evening light interacts with the subtle autumnal tones of the trees.

Here we see an evening commuter train, consisting of two Class 29001 four-carriage diesel railcar sets joined together, making it’s way from Dublin to Longford. The front-most of the two railcar sets is number 29415.

I think one of the reasons I like this shot so much is that the composition feels both strong and natural to me. I think the strength comes from the strong diagonal of the railway line, canal, towpath & trees, and I think it feels natural because the vanishing point is at one of the magical “rule of thirds” regions (one third down from the top and one third in from the right).

An Autumn Evening Commute
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/200 sec
  • Focal Length: 18mm
  • Focal Ratio: f/3.5
  • ISO: 200
  • Camera Mode: Aperture Priority
  • Exposure Bias: -0.7ev
  • Processing: Single RAW image first tonemapped with Photomatix Pro, then tweaked with the Dodge & Burn plugin in Apple’s Aperture

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