One of my favourite places for photographing trains is Jackson’s Bridge, it’s one bridge west of Maynooth along the Dublin to Sligo mainline towards Killcock. Jackson’s bridge actually crosses both the Royal Canal and the railway line, since the two run parallel most of the way between Dublin and Mullingar. When you look East from Jackson’s Bridge towards Maynooth and Dublin you get a great view of the the track, the canal, the towpath, and a row of trees all running parallel next to each other almost as far as the eye can see.

This is normally a very quiet stretch of line with very little traffic on it, but twice a day the level of traffic really picks up. During the day most commuter trains terminate in Maynooth, but during the morning and evening rush some commuter trains now run all the way out to Longford. The number of InterCity services also increases at rush hour so you get a few trains an hour instead of a train every few hours!

I took this shot in mid-October when the trees have their nice autumnal colours, and when the evening rush-hour over-laps with the Golden Hour. I really like how the soft golden evening light interacts with the subtle autumnal tones of the trees.

Here we see an evening commuter train, consisting of two Class 29001 four-carriage diesel railcar sets joined together, making it’s way from Dublin to Longford. The front-most of the two railcar sets is number 29415.

I think one of the reasons I like this shot so much is that the composition feels both strong and natural to me. I think the strength comes from the strong diagonal of the railway line, canal, towpath & trees, and I think it feels natural because the vanishing point is at one of the magical “rule of thirds” regions (one third down from the top and one third in from the right).

An Autumn Evening Commute
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/200 sec
  • Focal Length: 18mm
  • Focal Ratio: f/3.5
  • ISO: 200
  • Camera Mode: Aperture Priority
  • Exposure Bias: -0.7ev
  • Processing: Single RAW image first tonemapped with Photomatix Pro, then tweaked with the Dodge & Burn plugin in Apple’s Aperture

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With the silly-season in full swing it’s probably no big surprise that I find myself a week behind again, so another double post this week. This time I decided to choose a seasonal topic – winter scenes. As it happens both these shots were taken on the same day, the 3rd of February this year. It started to snow in the late afternoon, stopped in time to get some lovely day-time shots, and then the sky cleared to give a dramatic sunset over the snow-covered landscape. A photographer’s dream, and this afternoon has already supplied two pervious Photos of the Week (50 “Braving the Snow” & 52 “Fire & Ice”).

The President's Arch
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/50 sec
  • Focal Length: 26mm
  • Focal Ratio: f/8
  • ISO: 800
  • Camera Mode: Aperture Priority

President's Arch Sunset
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/100 sec
  • Focal Length: 34mm
  • Focal Ratio: f/8
  • ISO: 800
  • Camera Mode: Aperture Priority
  • Exposure Bias: -1.0ev
  • Processing: Single RAW image first tonemapped with Photomatix Pro, then tweaked with the Dodge & Burn plugin in Apple’s Aperture

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A lot my macro shots that make it into this series are shot along the Royal Canal, so this week I thought I’d share a picture of the canal itself! For me it’s a little oasis of accessible nature. I love spending time along towpath with my camera. You meet fellow nature lovers as well as fitness types, and obviously plenty of flora and fauna too.

I love this shot because is captures that combination of nature as well as people enjoying nature. I also love the sense of depth in this shot. I took this shot ages ago, but was reluctant to use it for Photo of the Week because it really only works when you view it large – and I prefer to choose shots that work well even at small sizes. Still – I really like this shot so I decided to share it regardless.

The Royal Canal
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 55-200mm
  • Exposure: 1/320 sec
  • Focal Length: 200mm
  • Focal Ratio: f/5.6
  • ISO: 400
  • Camera Mode: Aperture Priority
  • Exposure Bias: -0.7ev

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This is one of my favourite butterfly shots of the year. The season’s pretty much over now, so the changes are this will remain my favourite form the year. For a start, I think the Small Tortoiseshell (Aglais urticae) is one of the nicest species we have in Ireland, but this shot also illustrates why I love my Nikkor 55-200mm F3.5-5.6 zoom lens very well. When you’re shooting flowers or butterflies, you want the subject to be in sharp focus, and the background to be out of focus so that it doesn’t distract from the subject. You don’t want a busy complex background competing for the viewer’s eye. It’s that blurry background that gives shots that pro feel, sometimes called ‘the magazine look’.

This lens allows for a really shallow depth of field right in the sweet spot of the lens (around f8), and gives a wonderfully smooth and creamy bokeh (the out of focus areas). As lenses go, this is a cheap lens, I paid less than €300 for it a few years ago, and it’s come down in price since. A great value lens of you’re a Nikon DX shooter. There’s a new fancy VR (vibration reduction) version of this lens too, but TBH, I think VR is over-kill on this lens. If you can afford it, great, but I certainly don’t miss it. This is my work-horse lens, and I love it to bits.

Small Tortoiseshell Butterfly
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 55-200mm
  • Exposure: 1/800 sec
  • Focal Length: 200mm
  • Focal Ratio: f/11
  • ISO: 400
  • Camera Mode: Aperture Priority
  • Exposure Bias: -0.7ev
  • Processing: This shot is pretty much as it came out of the camera. It has been cropped to improve the composition, and subtly tweaked in Aperture’s Dodge & Burn plugin to selectively improve the contrast on the butterfly.

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This is one of my favourite photos of the whole year so far. To me it says Spring better than anything else I’ve ever shot. It’s the first leaves starting to sprout on a Grey Willow (Salix cinerea) tree growing along the banks of the Royal Canal at Deey Bridge between Maynooth and Leixlip.

Grey Willow in Spring
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 55-200mm
  • Exposure: 1/250 sec
  • Focal Length: 80mm
  • Focal Ratio: f/5
  • ISO: 400
  • Camera Mode: Aperture Priority

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This week’s Photo of the Week is a re-visiting of the same original image that formed the starting point for the mono-chrome conversion that was Photo of the Week 48. Although I really like the black & white version, the only reason it exists is that I was never happy with the original colour shot. It was lacking that ever so hard to define something that makes photos ‘pop’. The initial photo was taken on St. Patrick’s Day 2008 – so about a year and a half ago. Since then I’ve become a hell of a lot more practised at post-processing, so, this evening I had another go at processing this shot, this time keeping it in colour.

After some tweaking of the blue channel and some selective contrast adjustments with Aperture’s Dodge & Burn plugin I’m now happy enough with the shot to use it as a Photo of the week. I guess the lesson here is never to be afraid to go back and re-edit your old images.

Lunar Cross (Colour)
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 55-200mm
  • Exposure: 1/250 sec
  • Focal Length: 200mm
  • Focal Ratio: f/22
  • ISO: 800
  • Camera Mode: Aperture Priority

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I’ve taken a lot of shots all around the wonderful grounds of St. Patrick’s College in Maynooth. However, out of those hundreds of shots, this is one of my absolute favourites. Maynooth is always beautiful in autumn, but the light was extra nice when I got this shot, so it really sings.

This is also a very important shot in my development as a photographer. The very first lesson I learned when I started shooting with a DSLR was that the dynamic range is SMALL. This meant that I was constantly being surprised by how much darker shadows are in photographs than they seem while you’re there. After having loads of shots ruined by deep shadows I started to fear and avoid them. It was while I was trying to line up this shot that I had a brain-wave – maybe the key wasn’t to avoid shadows, but to be aware of them. Sure they can destroy a shot, but, if used carefully, they can add to a shot too! In this case, the shadows add interest to what would otherwise be a very bland foreground, as well as providing leading-lines to pull the viewers eye into the shot. This image will always have a place in my heart because it represents a real Eureka moment for me.

Autumn Shadows in Maynooth
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/500 sec
  • Focal Length: 18mm
  • Focal Ratio: f/11
  • ISO: 400
  • Camera Mode: Aperture Priority

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If this week’s instalment reminds you a lot of last week’s, that’s no coincidence, this week’s shot is also of Pike’s Brige, and also shot at the same time of day, the so-called golden hour around sunset. There are some marked differences though, last week’s shot was taken into the sun, this week’s is taken with the sun directly behind the camera – meaning this is the opposite side of the bridge. Although the conditions look identical, the shots were actually taken two days apart.

Pike's Bridge Again
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/500 sec
  • Focal Length: 42mm
  • Focal Ratio: f/8
  • ISO: 400
  • Camera Mode: Aperture Priority
  • Exposure Bias: -0.3EV
  • Processing: Generated by tonemapping a single RAW file in Photomatix Pro

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Photography is all about light, and you get some of the nicest light each day in the hours around sunrise and sunset, or the so-called ‘golden hours’. I’m not a fan of early mornings, so, for me, there is only one golden hour each day, but some of my very favourite pictures are taken during that hour, including this one.

I got this photo on an evening when I wasn’t really planning to shoot, I was out getting some much-needed exercise, and brought the camera along ‘just in case’. I’m certainly glad I did. The light was superb, and it’s very rare that the water is this still under the bridge. The dynamic range was very large in this shot so I tonemapped the RAW file in Photomatix Pro to recover both the shadows and the highlights. I have also edited this image for use as a desktop wallpaper on either a standard (4:3) or widescreen (16:10) monitor.

This is Pike Bridge between Maynooth and Leixlip in Co. Kildare, Ireland. It has two arches, one crossing the Dublin to Sligo railway line, and this one crossing the Royal Canal.

Evening at Pike's Bridge
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/80 sec
  • Focal Length: 20mm
  • Focal Ratio: f/8
  • ISO: 400
  • Camera Mode: Aperture Priority
  • Exposure Bias: -1.0EV
  • Processing: Generated by tonemapping a single RAW file in Photomatix Pro

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Last week’s photo of the week was the result of serendipity – this weeks is the inverse, it’s the result of planning and dogged determination.

I was, and indeed still am, working on a long-term project to photography all 28 species of butterfly that live in Ireland (you can follow my progress here). I’d been keeping an eye on the different species I saw flying around each time I came outside – and the day before I’d seen that there were Painted Ladies on the wing – a species I was missing!

The time was right, the weather was right, so I chose a spot (the Junior Gardens on the St. Patrick’s College campus in Maynooth), grabbed my gear, and set out on my mission to capture a Painted Lady. I was in a great mood, full of anticipation, but I wasn’t expecting a quick result. Butterflies never do what you tell them, and rarely do what you’d like!

I waited. Then I waited some more. Then a little more. Finally, out of the corner of my eye I spotted one! A Painted Lady. But it didn’t sit still. It flew from flower to flower never landing long enough to even get a focus lock. Then it flew over the wall and out of sight. On the one hand it was a relief to see that my quarry was indeed around, and that I’d chosen my spot correctly. On the other hand, it was a frustrating near-miss. But I continued to wait. Slowly and watchfully walking around around and around the garden.

Eventually another Painted Lady came into the garden. This one was a little more co-operative, landing on flowers and feeding – but not in a very photogenic way. I shot about 25 shots of this guy, but none were good enough to make it here. I waited some more. Another one, this one was feeding on fabulous pink Daisies, and what’s more the Daisies were tall enough to throw the other plants near them totally out of focus when I got in close with the 55-200mm. The setting was perfect, vibrant colours and a lovely bokeh. BUT, my winged friend insisted on landing on low-down flowers, hence always being half-obsgtructed by one or more taller flower heads. I didn’t get the perfect shot, but I could now see it in my head. It was a Painted Lady on one of these pink Daisies with that fabulous green bokeh. all I had to do now was wait.

I stopped making my rounds of the garden and stood watch over my perfect setting. It took another half an hour, but in the end, I was rewarded with the shot you see here. In all I spent two hours trying to get this shot. I think it was time well spent! (don’t worry, I wasn’t bored, I had my iPhone with me and was listening to Photo Focus – doing as the jingle instructs – making pictures, not just taking pictures!)

A Painted Lady
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 55-200mm
  • Exposure: 1/1600 sec
  • Focal Length: 200mm
  • Focal Ratio: f/8
  • ISO: 400
  • Camera Mode: Aperture Priority
  • Exposure Bias: -0.7EV

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