It’s been a while since I’ve chosen a flower photo for Photo of the Week, so I decided to remedy that this week. This is a shot of one of my favourite little flowers, they have a fantastic pale blue colour, and wonderfully fine details in their tiny flowers. It can be quite hard to tell the different varieties of Forget-me-not apart, but I think this is Field Forget-me-not (Myosotis arvensis).

Forget-me-not
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 55-200mm
  • Exposure: 1/640 sec
  • Focal Length: 200mm
  • Focal Ratio: f/5.6
  • ISO: 400
  • Camera Mode: Aperture Priority

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For a long time now my two favourite subjects have been trains and butterflies, but this year I’ve started to be attracted by two related new muses. Butterflies are probably the most eye-catching insects in Ireland, but I think the largest are the Dragonflies and Damselflies that fill our summer skies. I’ve only been focusing on these guys for a few months, but I’ve already got some pictures I like enough to include here.

The first shot I’ve chosen shows a pair of Blue-tailed Damselflies (Ischnura elegans) making more Blue-tailed Damselflies. Two things to note here, firstly, Damselflies opt for a very unique position for mating, and the males and females have very different colours. Adult males of the different species generally look quite distinct (with a few exceptions), but many of the females of the different species look very similar, some species even have females of a few different colours, and to really confuse things, both males and females change colour as they mature. If you can’t recognise what species a Damselfly is, it’s probably a juvenile, or a female, or both. Butterflies are WAY easier to tell apart!

Mating Blue-tailed Damselflies
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 55-200mm
  • Exposure: 1/800 sec
  • Focal Length: 200mm
  • Focal Ratio: f/8
  • ISO: 200
  • Camera Mode: Aperture Priority
  • Exposure Bias: -1.0ev
  • Processing: tweaked a little using Aperture’s Dodge & Burn plugin

The second shot I chose is of the largest Dragonfly I’ve managed to capture so far, the Four-spotted Chaser (Libellula quadrimaculata). These guys are very territorial. They get their name because they chase away other Dragonflies that stray into their patch (and have 4 spots on each set of wings). They like to sit on perches that give them a good view of their territory, and will keep returning to their favourite perches over and over again. This makes them a joy to photograph, if you miss the perfect shot the first time around, just wait a bit, and you’ll get another chance! The fact that they like a perch with a good view also means you tend to be able to get shots with nice clutter-free backgrounds too.

I’ve also started to experiment a lot with back-lighting in the last few months. As this shot demonstrates, it can work nicely on insects which tend to have transparent or semi-transparent bits for the light to shine through.

back-lit Four-spotted Chaser
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 55-200mm
  • Exposure: 1/400 sec
  • Focal Length: 200mm
  • Focal Ratio: f/8
  • ISO: 400
  • Camera Mode: Aperture Priority
  • Exposure Bias: -1.0ev
  • Processing: tweaked a little using Aperture’s Dodge & Burn plugin

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I’m not even the smallest bit of a football fan, but given that it’s World Cup final weekend, I figured this would be a good time to share one of my few football photos. As well as being beautiful, the grounds of St. Patrick’s College provide a great amenity for the people of Maynooth. Here we see some local lads enjoying a kick-around on one of the pitches on the so-called Playing Fields a fantastic summer afternoon. In the background you can see the spire of the Gunne Chapel (the college chapel).

Soccer on the Playing Fields
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/1000 sec
  • Focal Length: 18mm
  • Focal Ratio: f/8
  • ISO: 400
  • Camera Mode: Aperture Priority
  • Exposure Bias: -0.7ev
  • Processing: This shot was edit using both the Topaz Adjust and Topaz Detail Photoshop plugins.

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I’ve always loved the great photographer Imogen Cunningham’s take on Magnolia flowers, particularly this shot. So, earlier this year, when I noticed that the Magnolia trees in St. Patrick’s College were in bloom, I set out to have a go myself. Obviously I’m no Imogen Cunningham, but I’m quite pleased with this shot all the same.

Inside Magnolia
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 55-200mm
  • Exposure: 1/320 sec
  • Focal Length: 200mm
  • Focal Ratio: f/8
  • ISO: 200
  • Camera Mode: Aperture Priority

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I’m playing catch-up again this week with another double post – I’m not doing too well the last while to keep these on schedule. Anyhow, as usual for a double post, I’ve chosen two photos that share a theme – last Autumn in this case.

The first shot is taken along one of my favorite sections of the Royal Canal, between Deey and Pike Bridges on the stretch from Leixlip to Maynooth. This is one of the sections where the towpath hasn’t been surfaced, even with gravel, and where the canal is lined with trees. It’s a really lovely stretch of nature for walking or cycling along.

The Royal Canal - Leixlip, Ireland
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/160 sec
  • Focal Length: 18mm
  • Focal Ratio: f/8
  • ISO: 200
  • Camera Mode: Aperture Priority
  • Exposure Bias: +0.3ev.

The second shot was taken on the grounds of St. Patrick’s College in Maynooth as Autumn was just starting.

St. Patrick's College in Autumn
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/200 sec
  • Focal Length: 18mm
  • Focal Ratio: f/11
  • ISO: 200
  • Camera Mode: Aperture Priority
  • Exposure Bias: +0.7ev.

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Due to a few busy weekends in a row I’ve gotten very behind again, so I have a triple post this weekend to get caught up. As usual when I do a multi-week Photo of the Week, I’ve picked a theme that relates the photos to each other. In this case, they were all taken during the abnormally long and harsh cold spell at the start of January this year (you can see all my best shots in a Set on my Flickr stream).

The first shot I’ve chosen is of the College Cemetery in St. Patrick’s College Maynooth (SPCM). This cemetery is almost like a secret garden, hidden away behind some lovely old trees near the back of the grounds. It’s always a wonderfully peaceful place, especially in the snow. Fr. Nicolas Callan is buried here. He was a great scientists who worked in SPCM and is most famous for having invented the induction coil.

The College Cemetery - SPCM
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/60 sec
  • Focal Length: 18mm
  • Focal Ratio: f/8
  • ISO: 200
  • Camera Mode: Aperture Priority
  • Exposure Bias: +0.7ev.

The second shot I’ve chosen was taken on a ground of Carton Estate just outside Maynooth village. I’d been cycling along the Royal Canal where the sun was beaming down and it was just a truly beautiful clear day. Then, the moment I left the canal and entered into Carton estate it was like I’d beamed to another world. There was this thin later of dense mist hovering just above the ground. Above that layer it was still a beautiful day, though clouds were starting to roll in. The layer of mist gave the whole place an ethereal feel. I’d honestly never seen anything like it. To be honest none of my shots did the scene justice, but I still really like this one.

Out of the Mist - Carton Estate
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/60 sec
  • Focal Length: 19mm
  • Focal Ratio: f/8
  • ISO: 200
  • Camera Mode: Aperture Priority
  • Exposure Bias: +1.0ev
  • Processing: This shot was generated by first applying the Topaz Adjust 4 filter to effectively tonemap the image, and then tweaking the result a little in Photoshop Elements 8 to selectively brighten just the snow.

Perhaps unsurprisingly, I’ve also chosen one of my train shots as one of my favorites. This shot was taken as the day was ending and the sun was getting very low in the sky. It shows an Irish Rail InterCity services making it’s way from Dublin to Sligo as it approaches Jackson’s Bridge just beyond Maynooth. From Jackson’s bridge you get a view of both the railway and the Royal Canal which runs next to the track for most of the way between Dublin and Mullingar.

Irish Rail InterCity
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/320 sec
  • Focal Length: 18mm
  • Focal Ratio: f/3.5
  • ISO: 200
  • Camera Mode: Full Manual
  • Processing: This shot was generated by tonemapping the original RAW file with Photomatix Pro, and then tweaking the results a little using Aperture’s Dodge & Burn plugin.

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My last few Photo of the Week picks have been nature macros, so I thought I’d change things up a bit this week and go for some local history. I just love the boathouse in Carton Estate, it’s such a cool little building in such a great setting. I’ve taken many shots of it, but this is one of my very favorites because of the dramatic backdrop nature kindly provided. For a start the trees in the background are at their autumn best, but as well as that the light was great and there sky was very dramatic.

The Boathouse in Autumn
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/125 sec
  • Focal Length: 18mm
  • Focal Ratio: f/11
  • ISO: 200
  • Camera Mode: Aperture Priority
  • Processing: This shot was generated by tonemapping the original RAW file with Photomatix Pro, and then tweaking the results a little using Aperture’s Dodge & Burn plugin.

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Since the butterfly season will be starting up again soon I’ve been having a look back at my butterfly shots from previous years to see what gaps there are in my collection to help me plan my priorities for this year. In the process I also picked a shot for this week’s Photo of the Week, one from last year that I’m immensely fond of.

This shot is of the Peacock Butterfly (Inachis io), the most colorful and spectacular species we have in Ireland. I got quite a few shots of this species throughout the year, and in previous years (including Photo of the Week 32), but I particularly like this one because of where the butterfly chose to land. To get a nice out of focus background you do need there to be a bit of a distance between your subject and the background, and you need the background to be fairly even. In this case the butterfly landed on a very tall and beautiful special of Daisy called Black0eyed Susan. Because the Black-eyed Susans are tall, the leaves of the other plants in the garden were a long way below, hence the lovely soft green bokeh. The lovely yellow flowers themselves also add a lot to the shot, and the red of the butterfly contrasts nicely with both the green and the yellow really making it stand out.

Peacock Butterfly (Inachis io)
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 55-200mm
  • Exposure: 1/320 sec
  • Focal Length: 200mm
  • Focal Ratio: f/8
  • ISO: 400
  • Camera Mode: Aperture Priority
  • Exposure Bias: -0.3ev

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Each December the Railways Preservation Society of Ireland (RPSI) run a series of special excursions called Santa Specials. The trains run from Dublin’s Pearse Station to Maynooth and back, and are usually pulled by Steam Locomotive No.4. For three weekends in December there are up to three trips a day on Saturdays and Sundays, so lots of fantastic opportunities to get some shots of steam in action on Irish rails. This year there was a slight hitch on one of the days though, No.4 broke down on the last run on one of the Saturdays, so a Northern Irish Rail diesel loco had to fill in for the runs on the following Sunday, but by the next Saturday No.4 was back in action and was able to finish out the rest of the runs.

Since I missed posting a photo last week this is a double week, and I’ve chosen my two very favourite shots from last December’s season of Santa Specials. I have to say I really found it hard to pick just two, I’m really happy with quite a few of my shots from the month. If you want to see more than just these two shots I’ve created a set on Flickr with my best shots.

So, on to the first shot, in this case we see No.4 leaving gathering speed as it leaves Maynooth on the return leg back to Dublin Pearse. One thing you’ll note here is that the train appears to be going backwards, or “bunker first”. This is true, except it was designed to run just as well in both directions, so arguably there is no such thing as backwards. It’s this ability to run in either direction that made No.4 such a useful engine during it’s working life, because it could run to stations that didn’t have turntables for turning engines around. In the past all major stations had to have turntables, but very few of those now remain, and Maynooth never even had one because it only became an important station in the 1980s when it became the terminus for the new Western Commuter service out of Dublin.

RPSI No.4 With Santa Special
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/30 sec
  • Focal Length: 18mm
  • Focal Ratio: f/11
  • ISO: 200
  • Camera Mode: Shutter Priority
  • Processing: This shot was generated by tonemapping the original RAW file with Photomatix Pro, and then using layer masks in Pixelmator to selectively blend it with the original to merge the best elements from both versions of the shot into the final image.

The second shot I chose shows No.4 on it’s way out to Maynooth running forwards. In this case the shot was taken in Leixlip just outside Leixlip-Louisa-Bridge station. This was No.4’s second run of the day, and this run had the best weather of any of this season’s runs.

RPSI No.4 With Santa Special
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/800 sec
  • Focal Length: 18mm
  • Focal Ratio: f/3.5
  • ISO: 200
  • Camera Mode: Aperture Priority
  • Exposure Bias: -1.0ev
  • Processing: This shot was generated by tonemapping the original RAW file with Photomatix Pro.

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Since I started playing with the Orton effect around Christmas time I’ve been going back through some of my older shots looking for images that would go well with the effect. Of all the images I played with, this one is my favourite. For some reason the dream-like quality of the Orton Effect compliments the autumnal tones very well. If you’re interested in experimenting with the Orton Effect I posted a tutorial with screen cast a few weeks ago.

An Autumn Dream
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/60 sec
  • Focal Length: 42mm
  • Focal Ratio: f/8
  • ISO: 200
  • Camera Mode: Aperture Priority
  • Exposure Bias: -0.7ev
  • Processing: The Image was first tweaked a little using Aperture’s Dodge & Burn plugin, and then the Orton Effect was applied.

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