A few weeks ago I went for a hike with my parents along a stretch of the Sliabh Beagh Way in Co. Monaghan. This route runs through a range of rolling mountains on the border with Northern Ireland. I got a few shots along the way, but this one is my favourite.

The Sliabh Beagh Way
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/640 sec
  • Focal Length: 18mm
  • Focal Ratio: f/8
  • ISO: 400
  • Camera Mode: Aperture Priority
  • Processing: This shot was generated by tonemapping the original RAW file with Photomatix Pro

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I’ve been saying for a long time that the iPad looks cool, but that I wouldn’t be buying this first incarnation of apple’s tablet. I had two reasons for that, firstly, for me, it felt like a solution in search of a problem, and secondly, I’m very grumpy about Apple not allowing the iPad to share the iPhone’s data connection via tethering. Before people jump on me, I want to clarify that I’m not saying that the iPad is a solution in search of a problem in any sort of universal sense, but just in terms of my life at the time. Well, I stuck to my word and didn’t buy an iPad, but I do now own one thanks to the generosity of Allison & Steve Sheridan of the NosillaCast. I’ve had it for a few days now, so I thought it might be worth sharing my first impressions.

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With being sick for the last two weeks I’ve ended up with a triple post this week. I’ve chosen my three favourite shots from my recent trip to Belgium for this instalment’s theme.

The first shot I’ve chosen is of a lovely medeival castle in my home town of Duffel that is locally known as “Kasteel Ter Elst”. It remained intact right up until the first world war when it was unfortunately destroyed. You can read more about the castle here.

Kasteel Ter Elst
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/400 sec
  • Focal Length: 18mm
  • Focal Ratio: f/7.1
  • ISO: 200
  • Camera Mode: Aperture Priority

Perhaps unsurprisingly, the second shot I’ve chosen is a train shot. In this case showing the work-horse combination of the NMBS/SNCB’s intercity services. Here we see a rake of M6 double-decker coaches (with an M6 DVT in front) being pushed by NMBS/SNCB Class 27 electric locomotive number 2725.

M6 with NMBS/SNCB Class 27
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 55-200mm
  • Exposure: 1/640 sec
  • Focal Length: 200mm
  • Focal Ratio: f/5.6
  • ISO: 400
  • Camera Mode: Aperture Priority
  • Processing Used Topaz Adjust 4 plugin to give the shot a little more ‘pop’.

The final image I’ve chosen is a butterfly shot, specifically a Green-veined White (Pieris napi) feeding on a Dandelion flower (Taraxacum officinale agg.).

 Green-veined White (Pieris napi)
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 55-200mm
  • Exposure: 1/1600 sec
  • Focal Length: 200mm
  • Focal Ratio: f/8
  • ISO: 400
  • Camera Mode: Aperture Priority
  • Processing: Selectively applied the Topaz Adjust 4 plugin to the butterfly and the flower.

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Since I was away in Belgium the previous weekend, this is yet another double post to get caught up. Again, double post means a single theme for both images. Inspired by all the talk of ash clouds leading to nice sunsets, I’ve picked two of my recent favorite sunset/dusk shots for this post.

The first shot was indeed taken while the recent volcanic ash cloud was making a nuisance of itself over Ireland. It was taken from Jackson’s Bridge (located between Maynooth and Kilcock) looking west along the Royal Canal. In the foreground you can see the 14th lock. 13 Locks to the east of here the Royal Canal starts at the old docks in Dublin, and 32 locks to the west it enters the river Shannon.

Royal Canal Sunset
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/500 sec
  • Focal Length: 38mm
  • Focal Ratio: f/8
  • ISO: 200
  • Camera Mode: Full Manual
  • Processing: This shot was generated by tonemapping the original RAW file with Photomatix Pro, and then tweaking the resulting image with Topaz Adjust 4

The second shot I’ve chosen is a little older, and pre-dates all the ash-cloud excitement. Perhaps unsurprisingly, it’s of a train, in this case an evening Commuter service from Maynooth to Dublin looming into shot out of a spectacular sunset.

Irish Rail Class 29000
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 55-200mm
  • Exposure: 1/400 sec
  • Focal Length: 120mm
  • Focal Ratio: f/5
  • ISO: 800
  • Camera Mode: Full Manual
  • Processing: This shot was generated by tonemapping the original RAW file (first converted to 16bit TIFF) with Topaz Adjust 4, and then tweaking the resulting image with Aperture’s Dodge & Burn plugin

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Getting from Auto to Manual

Filed Under Photography on May 1, 2010 | 4 Comments

I was preparing notes for recording a Chit Chat Across the Pond segment on this topic with Allison this evening, and it occurred to me that this would make a good blog post, so I stopped making bullet points and wrote this article instead.

I still remember very vividly the first time I held my first DSLR. I was shocked by how many knobs and buttons there were, and I was very intimidated by all that apparent complexity. The appeal of the “auto” setting was very strong, and for weeks that’s where my camera stayed. The thing is, using a DSLR on full auto is such a waste, why get a camera that gives you so much artistic control, just to surrender it all to the camera’s primitive intelligence?

Today my DSLR is never in Auto, it spends a lot of time in ‘A’ mode (‘Aperture Priority’, TOTALLY different to Auto), and quite a bit in ‘M’ mode (full manual). Being the master of your camera in full manual mode is very liberating, and opens up a lot of creative possibilities. So, how do you get from Auto to Manual?

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