A lot my macro shots that make it into this series are shot along the Royal Canal, so this week I thought I’d share a picture of the canal itself! For me it’s a little oasis of accessible nature. I love spending time along towpath with my camera. You meet fellow nature lovers as well as fitness types, and obviously plenty of flora and fauna too.

I love this shot because is captures that combination of nature as well as people enjoying nature. I also love the sense of depth in this shot. I took this shot ages ago, but was reluctant to use it for Photo of the Week because it really only works when you view it large – and I prefer to choose shots that work well even at small sizes. Still – I really like this shot so I decided to share it regardless.

The Royal Canal
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 55-200mm
  • Exposure: 1/320 sec
  • Focal Length: 200mm
  • Focal Ratio: f/5.6
  • ISO: 400
  • Camera Mode: Aperture Priority
  • Exposure Bias: -0.7ev

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This is one of my favourite butterfly shots of the year. The season’s pretty much over now, so the changes are this will remain my favourite form the year. For a start, I think the Small Tortoiseshell (Aglais urticae) is one of the nicest species we have in Ireland, but this shot also illustrates why I love my Nikkor 55-200mm F3.5-5.6 zoom lens very well. When you’re shooting flowers or butterflies, you want the subject to be in sharp focus, and the background to be out of focus so that it doesn’t distract from the subject. You don’t want a busy complex background competing for the viewer’s eye. It’s that blurry background that gives shots that pro feel, sometimes called ‘the magazine look’.

This lens allows for a really shallow depth of field right in the sweet spot of the lens (around f8), and gives a wonderfully smooth and creamy bokeh (the out of focus areas). As lenses go, this is a cheap lens, I paid less than €300 for it a few years ago, and it’s come down in price since. A great value lens of you’re a Nikon DX shooter. There’s a new fancy VR (vibration reduction) version of this lens too, but TBH, I think VR is over-kill on this lens. If you can afford it, great, but I certainly don’t miss it. This is my work-horse lens, and I love it to bits.

Small Tortoiseshell Butterfly
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 55-200mm
  • Exposure: 1/800 sec
  • Focal Length: 200mm
  • Focal Ratio: f/11
  • ISO: 400
  • Camera Mode: Aperture Priority
  • Exposure Bias: -0.7ev
  • Processing: This shot is pretty much as it came out of the camera. It has been cropped to improve the composition, and subtly tweaked in Aperture’s Dodge & Burn plugin to selectively improve the contrast on the butterfly.

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This is one of my favourite photos of the whole year so far. To me it says Spring better than anything else I’ve ever shot. It’s the first leaves starting to sprout on a Grey Willow (Salix cinerea) tree growing along the banks of the Royal Canal at Deey Bridge between Maynooth and Leixlip.

Grey Willow in Spring
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 55-200mm
  • Exposure: 1/250 sec
  • Focal Length: 80mm
  • Focal Ratio: f/5
  • ISO: 400
  • Camera Mode: Aperture Priority

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This week’s Photo of the Week is a re-visiting of the same original image that formed the starting point for the mono-chrome conversion that was Photo of the Week 48. Although I really like the black & white version, the only reason it exists is that I was never happy with the original colour shot. It was lacking that ever so hard to define something that makes photos ‘pop’. The initial photo was taken on St. Patrick’s Day 2008 – so about a year and a half ago. Since then I’ve become a hell of a lot more practised at post-processing, so, this evening I had another go at processing this shot, this time keeping it in colour.

After some tweaking of the blue channel and some selective contrast adjustments with Aperture’s Dodge & Burn plugin I’m now happy enough with the shot to use it as a Photo of the week. I guess the lesson here is never to be afraid to go back and re-edit your old images.

Lunar Cross (Colour)
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 55-200mm
  • Exposure: 1/250 sec
  • Focal Length: 200mm
  • Focal Ratio: f/22
  • ISO: 800
  • Camera Mode: Aperture Priority

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If this week’s instalment reminds you a lot of last week’s, that’s no coincidence, this week’s shot is also of Pike’s Brige, and also shot at the same time of day, the so-called golden hour around sunset. There are some marked differences though, last week’s shot was taken into the sun, this week’s is taken with the sun directly behind the camera – meaning this is the opposite side of the bridge. Although the conditions look identical, the shots were actually taken two days apart.

Pike's Bridge Again
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/500 sec
  • Focal Length: 42mm
  • Focal Ratio: f/8
  • ISO: 400
  • Camera Mode: Aperture Priority
  • Exposure Bias: -0.3EV
  • Processing: Generated by tonemapping a single RAW file in Photomatix Pro

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Photography is all about light, and you get some of the nicest light each day in the hours around sunrise and sunset, or the so-called ‘golden hours’. I’m not a fan of early mornings, so, for me, there is only one golden hour each day, but some of my very favourite pictures are taken during that hour, including this one.

I got this photo on an evening when I wasn’t really planning to shoot, I was out getting some much-needed exercise, and brought the camera along ‘just in case’. I’m certainly glad I did. The light was superb, and it’s very rare that the water is this still under the bridge. The dynamic range was very large in this shot so I tonemapped the RAW file in Photomatix Pro to recover both the shadows and the highlights. I have also edited this image for use as a desktop wallpaper on either a standard (4:3) or widescreen (16:10) monitor.

This is Pike Bridge between Maynooth and Leixlip in Co. Kildare, Ireland. It has two arches, one crossing the Dublin to Sligo railway line, and this one crossing the Royal Canal.

Evening at Pike's Bridge
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/80 sec
  • Focal Length: 20mm
  • Focal Ratio: f/8
  • ISO: 400
  • Camera Mode: Aperture Priority
  • Exposure Bias: -1.0EV
  • Processing: Generated by tonemapping a single RAW file in Photomatix Pro

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Last week’s photo of the week was the result of serendipity – this weeks is the inverse, it’s the result of planning and dogged determination.

I was, and indeed still am, working on a long-term project to photography all 28 species of butterfly that live in Ireland (you can follow my progress here). I’d been keeping an eye on the different species I saw flying around each time I came outside – and the day before I’d seen that there were Painted Ladies on the wing – a species I was missing!

The time was right, the weather was right, so I chose a spot (the Junior Gardens on the St. Patrick’s College campus in Maynooth), grabbed my gear, and set out on my mission to capture a Painted Lady. I was in a great mood, full of anticipation, but I wasn’t expecting a quick result. Butterflies never do what you tell them, and rarely do what you’d like!

I waited. Then I waited some more. Then a little more. Finally, out of the corner of my eye I spotted one! A Painted Lady. But it didn’t sit still. It flew from flower to flower never landing long enough to even get a focus lock. Then it flew over the wall and out of sight. On the one hand it was a relief to see that my quarry was indeed around, and that I’d chosen my spot correctly. On the other hand, it was a frustrating near-miss. But I continued to wait. Slowly and watchfully walking around around and around the garden.

Eventually another Painted Lady came into the garden. This one was a little more co-operative, landing on flowers and feeding – but not in a very photogenic way. I shot about 25 shots of this guy, but none were good enough to make it here. I waited some more. Another one, this one was feeding on fabulous pink Daisies, and what’s more the Daisies were tall enough to throw the other plants near them totally out of focus when I got in close with the 55-200mm. The setting was perfect, vibrant colours and a lovely bokeh. BUT, my winged friend insisted on landing on low-down flowers, hence always being half-obsgtructed by one or more taller flower heads. I didn’t get the perfect shot, but I could now see it in my head. It was a Painted Lady on one of these pink Daisies with that fabulous green bokeh. all I had to do now was wait.

I stopped making my rounds of the garden and stood watch over my perfect setting. It took another half an hour, but in the end, I was rewarded with the shot you see here. In all I spent two hours trying to get this shot. I think it was time well spent! (don’t worry, I wasn’t bored, I had my iPhone with me and was listening to Photo Focus – doing as the jingle instructs – making pictures, not just taking pictures!)

A Painted Lady
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 55-200mm
  • Exposure: 1/1600 sec
  • Focal Length: 200mm
  • Focal Ratio: f/8
  • ISO: 400
  • Camera Mode: Aperture Priority
  • Exposure Bias: -0.7EV

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I have a theory that there are two very different ways to come home with a great photo, meticulous preparation, and the ability to capitalise on serendipity. Meticulous preparation speaks for itself, you plan what it is you are going to shoot, how you are going to shoot it, and you do as much research as possible up-front so you know where to be when and with what gear. The second type of great shot comes from a completely different skill, awareness. I seldom go out with my camera without a plan, and I usually come home with the shots I’d planned, but, I don’t limit myself to the plan, I’m constantly on the lookout for unexpected shots. Serendipity can provide for some superb shots, if you just remember to stay alert for the call of opportunity.

In many way’s I’m proud of the fact that most of the shots that make it to this series were in some way planned. But, that doesn’t stop me loving it when I get a totally expected shot because I happened to be in the right place at the right time with the right gear, and aware enough of my surroundings to realise that fact. That’s exactly what happened when I shot this week’s instalment.

Into an Uncertain Sky
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 55-200mm
  • Exposure: 1/200 sec
  • Focal Length: 200mm
  • Focal Ratio: f/5.6
  • ISO: 200
  • Camera Mode: Aperture Priority
  • Exposure Bias: -0.7EV
  • Processing: Used the Dodge & Burn plugin in Aperture to lighten the bird a little to help it stand out from the background.

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It’s been a long time since I’ve posted one of my flower shots, so this week I’m sharing my favourite flower pick of the year so far. We all know how lovely red Holly berries (Ilex aquifolium) are around Christmas time, but very few people ever notice the delicate white flowers from which those berries come. This shot shows a closeup look at a Holly branch in bloom. This tree is growing in the Junior Gardens on the St. Patrick’s College campus (AKA NUI Maynooth South Campus) in Maynooth, Ireland.

Holly in Bloom
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 55-200mm
  • Exposure: 1/1600 sec
  • Focal Length: 130mm
  • Focal Ratio: f/8
  • ISO: 400
  • Camera Mode: Aperture Priority
  • Exposure Bias: -0.7EV

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Having been on holidays in Belgium and deprived of internet access last weekend I’m posting two shots at once today. When I post two shots together for what ever reason I like to choose photos that are in some way related. In this case the relationship is cropping. Both are landscape shots that I find have been greatly improved by cropping them to a panoramic aspect ratio.

The first shot I’ve chosen if of a little known megalithic monument not too far from Cavan town in Ireland. The monument is made up of five standing stones arranged in a line, and is locally referred to as “Finn McCool’s Fingers”. If you look closely in the background you’ll see a wind farm on one of the mountains in the right background.

Finn McCool's Fingers
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 18-55mm (D40 kit lens)
  • Exposure: 1/80 sec
  • Focal Length: 55mm
  • Focal Ratio: F18
  • ISO: 400
  • Camera Mode: Aperture Priority

The second shot I’ve chosen is one I came across by accident on my way to shoot a sunset at Taghadoe Round Tower. I just happened to notice that there was a farmer plowing a field with a nice background behind him. He was a long way away, but with my 55-200mm zoom I could make the shot. I had to wait for about 5 minutes until he reached the right part of the field to get the composition to work well. The church spire you see in the background is that of the Gunne Chapel on the St. Patrick’s College campus (AKA NUI Maynooth South Campus) in Maynooth, Ireland.

Spring on the Land
on FlickrFull-Size

  • Camera: Nikon D40
  • Lens: Nikon DX AFS 55-200mm
  • Exposure: 1/160 sec
  • Focal Length: 100mm
  • Focal Ratio: F4.8
  • ISO: 400
  • Camera Mode: Aperture Priority
  • Exposure Bias: -0.33EV

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